In flickering of a place I assume the existence of an  invisible, infrathin space that can only be felt in time and is constantly changing.
With the help of neurophotogrammetry, spaces of museum exhibition halls are analyzed, the space between art and the viewer, which is not “filled” and seems to be absent, and invisible fragments that are created between each particle of the point cloud appear. When this space is identified, the moment of its presence and density 
is recorded.

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video

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we move through clouds of points and fragments of spaces beyond the viewpoint of museum visitors, so we see what we should not or could not see. We find ourselves in existing and constantly created new, infra-thin spaces.